In the heart of Lagos discarded tires lie strewn across the city’s landscape. To many, they are mere remnants of wear and tear, symbols of urban decay. But to Ernest Ogbonna Nkwocha they’re alive with possibility.
Born in Imo State, Nkwocha has carved a niche for himself as a sculptor who transforms used tires into monumental animal sculptures.
Nigeria’s rapid urbanization has led to an abundance of discarded materials.
Nkwocha’s choice of medium is a direct engagement with his environment. By utilizing these discarded tires, he confronts the socio-political realities of Nigeria, highlighting issues such as inadequate infrastructure and resource scarcity.
Artistic Method and Concept
Nkwocha’s process involves collecting used industrial materials, primarily tires, and transforming them into dynamic, organic animal forms. The heavy, black tires, once symbols of pollution, are reimagined as vibrant sculptures that capture the essence of wildlife.
Influence and Institutional Recognition
A member of Fact File, a Nigerian art collective focused on recycled art and environmental activism, Nkwocha has showcased his work in various exhibitions, including the Nike Art Gallery and the IICD Center. His sculptures have garnered attention from international media, featuring in reports by the BBC and Humans of Africa.
Beyond exhibitions, Nkwocha engages in community outreach, conducting educational workshops on sustainable art practices. His efforts have been recognized in academic journals, such as the Review of Artistic Education (2024), and art catalogues, cementing his influence in both artistic and academic circles.
IGBO SENTIMENT 